6a
Different Interdisciplinary
Approaches (3)
(Matters of
Discourse 2)

6b
Reception, R
esearch and
Audience Needs (2)
(SDH & AD)

6c
Different Interdisciplinary Approaches (4) (Genre)

6d
Innovation,
Technology &
Quality (4)
(Respeaking)

6e
AVT Old and New
(6)
(Matters of
Discourse and
Form)

Room 011

Chair: Sabine BRAUN
(University of Surrey, UK)

Room 013

Chair: Agnieszka CHMIEL
(Adam Mickiewicz University, Poland)

Room 012

Chair: Diana SANCHEZ
(Mundovisión, Spain)

Room 014

Chair: Mary CARROLL
(Titelbild, Berlin)

Room 010

Chair: Elena DI GIOVANNI
(University of Macerata, Italy)

James LI
Chinese set phrases in film/TV subtitles: A pragmatic perspective

Solédad ZΆRATE
Meeting deaf children's needs through subtitles

Agata HOLOBUT
Bollywood in Translation

Felix STEINER & Anne B. DARMSTÄTTER
Respeaking: Problems raised by image-text relationships

Adriana TORTORIELLO
The devil in the detail, the quality in the nuances: Frederico Fellini's fate in his English subtitled versions

Maria PAVESI
Changing vocatives and pronouns: Address shifts in film dubbing

Verónica  ARNÁIZ UZQUIZA
SDH eyetracked: WYSIWYG? (What You See is What You Get?)

Zoe PETTIT
A South African take on the gangster film genre: Translating Tsotsi and Hijack Stories for an international audience

Pablo ROMERO FRESCO
Quality in respeaking: The reception of respoken subtitles

Stefanie FOERSTER Don't mistake legibility for communication - or the creative use of typography on screen

Jenny MATTSSON
She hasn't conditioned her hair for like a week: The discourse particle like and its Swedish subtitles in Legally Blonde

Cristóbal CABEZA CÁCERES
Methodological design of a reception study on the audio description of films

Karita KERKKÄ
Affect in crime film subtitles

Tia MULLER
Vive la différence: French Subtitles for the Deaf and Hard-of-Hearing

Samuel BRÉAN
Subtitling the inaudible? Subjectivity in audiovisual translation